A California native, Erikka Reenstierna-Cates received her training under Leslie Ann Larson and Rene Daveluy. Before joining American Repertory Ballet in 2016, she previously danced with Central West Ballet, Oklahoma City Ballet, and Ballet Ireland. Reenstierna-Cates has been featured in a number of ballets in such notable roles such as Elena in Ethan Stiefel’s A Midsummer Night’s Dream, Caroline Bingley in Douglas Martin’s Pride and Prejudice, and Zulma and Bathilde in Stiefel and Johan Kobborg’s Giselle. She has had the privilege of performing works by renowned choreographers including George Balanchine’s Serenade, Who Cares?, and Valse Fantaisie, José Limón’s There Is A Time, Paul Taylor’s Air, Ethan Stiefel’s Wood Work, Paul Vasterling’s Peter Pan, Val Caniparoli’s Songs and Violin, Septime Webre’s Fluctuating Hemlines, Ronn Guidi’s Trois Gymnopedies, Dennis Spaight’s Scheherazade, Kirk Peterson’s Tears of the Moon, Carmen, and Beauty and the Beast, Ryoko Tanaka’s Saudade and Hindsight, Claire Davison’s Bewitched, Stiefel’s Woodwork and VARIANTS, Amy Seiwert’s World, Interrupted and Sight Line, Caili Quan’s Circadia, Da’Von Doane’s Kaleidoscope Mind, Arthur Mitchell’s Holberg Suite, Meredith Rainey’s Intrare Forma, Stephanie Martinez’s The Time That Runs Away, and Drosselmeyer in The Nutcracker.
ARB Position: Teacher
Kathleen Moore
Kathleen Moore trained with Dame Sonia Arova and Thor Sutowski at the Alabama School of Fine Arts (ASFA) and attended summer intensives at the School of American Ballet and the American Ballet Theatre (ABT) School. In 1979 she won an Obelisk Award in the Performing Arts from the city of Birmingham, Alabama and in 1980 she graduated from ASFA as a Presidential Scholar in the Arts and moved to NYC to join ABT II. Invited by Mikhail Baryshnikov to become a member of the corps of ABT in 1982, Moore was appointed soloist in 1988 and Principal dancer in 1991. Her work included roles across the classical, dramatic, modern and contemporary repertory. Having been closely associated with the works of Anthony Tudor she was on the cover of Dance Magazine issue about him in May 1987. Agnes de Mille, Twyla Tharp, Mark Morris and other respected choreographers created roles for her and she was a member of the premiere tour of the White Oak Dance Project under the direction of Mikhail Baryshnikov and Mark Morris in 1990. Moore has appeared in several dance documentaries, the Herbert Ross movie Dancers, and was interviewed on The Charlie Rose Show, was featured on the cover of the special Spring Magazine of The New York Times in 1988 and profiled in the magazine Mirabella. Moore began teaching for Princeton Ballet School in 1993 as a guest teacher, expanding her hours over the years to include teaching levels 4C through the Trainee program. She has worked with American Repertory Ballet since 2006 and she was the recipient of the Audrée Estey Award for Excellence in Dance Education in 2018. She has also been a member of the ballet faculty at the Lewis Center of the Arts at Princeton University since 2012. Moore is certified to teach all levels of ballet through the ABT® National Training Curriculum.