World Interrupted

Created for a digital world premiere in early 2021, Amy Seiwert’s World, Interrupted explores resiliency, hope, exhaustion, disruption – all shared experiences related to the ongoing pandemic.

“The pas de deux, luscious and provocative in its subtle challenges of the status quo, is absolutely refreshing.” 

The Ballet Herald

Runtime

8:55 minutes

Number of performers

3 female dancers |1 male dancer

Tech Rider

Available upon request


Choreographer | Amy Seiwert

Amy Seiwert enjoyed a nineteen-year performing career dancing with the Smuin, Los Angeles Chamber, and Sacramento Ballets. As a dancer with Smuin Ballet, she became involved with the “Protégé Program,” where her choreography was mentored by the late Michael Smuin. She was Choreographer in Residence there upon her retirement from dancing in 2008 until 2018. She is the recipient of numerous choreographic awards, including a “Goldie” award from the San Francisco Bay Guardian, which described Seiwert as the Bay Area’s most original dance thinker, “taking what some consider a dead language and using it with a 21st-century lingo to tell us something about who we are.” Seiwert’s ballets are in the repertories of companies from coast to coast and her works have been supported by the Joyce Theater, the Kennedy Center, and the National Endowment of the Arts. Seiwert currently serves as Artistic Director of Imagery, a contemporary ballet company in San Francisco.

Music | Julia Kent and David Wenngren, from the album Escapism

The combination of David Wenngren (piano and celeste) and Julia Kent (cello) makes the music add up to more than the sum of its parts.  The impact is not felt at first, but repeated plays bring out the undertones. 

Costume Design | Janessa Cornell Urwin

Janessa Cornell Urwin (Costume Designer) began her career as a ballet dancer before transitioning into costuming. She has designed costumes for numerous classical ballets and contemporary dance pieces for American Repertory Ballet, Stockton University Dance Program, Traverse City Dance Project, The Nutmeg Ballet, Rutgers University, Kun-Yang Lin/Dancers, and Nacre Dance Company, among others. She has worked with esteemed choreographers Kirk Peterson, Starr Foster, Riccardo De Nigris, Michael Nickerson-Rossi, and Meredith Rainey. Urwin also has a short film design credit and has designed for Athena Theatre Company. She holds a certificate in Costume Design from the Fashion Institute of Technology. Most recently she designed Ethan Stiefel’s A Midsummer Night’s Dream and the costumes for Movin’ + Groovin’. Urwin is also ARB’s Wardrobe Supervisor.

Lighting Design | Jason Flamos

Jason Flamos (Lighting Designer) Credits include: (Mile Square Theatre) Pipeline, I and You, It’s a Wonderful Life, The 39 Steps, Betrayal; (Shakespeare Theater NJ) William Shakespeare’s Long Lost First Play; (10 Hairy Legs) Heist, Cruise Control, Brian, Quadrivium; (Thingamajig Theatre Company) The Pillowman, Cabaret, The Little Mermaid, A Few Good Men. Flamos was the Associate Lighting Design for the Off-Broadway productions of Clever Little Lies and The Other Josh Cohen at Westside Theater, F***ing A at Signature Theater, The Producers and Benny and Joon at Paper Mill Playhouse, and Rags at Goodspeed Opera. He was the lighting supervisor for 10 Hairy Legs and is the current lighting supervisor at American Repertory Ballet.