ARB Position: Dancer

Rachel Quiner was born and raised in Northern New Jersey and began her formal ballet training at the North Jersey School of Dance Arts under the direction of Christine Taylor and Luba Gulyaeva. From 2015-2018, she danced the role of Clara for the Radio City Christmas Spectacular. She is a ballet dancer in the movie The Greatest Showman starring Hugh Jackman. In 2017, she placed second in classical and contemporary at the Youth America Grand Prix (YAGP) Semifinals in Philadelphia and was a scholarship recipient at the YAGP Finals. She joined American Ballet Theatre’s Jacqueline Kennedy Onassis School in 2020. Highlights from her time there included performances in Complexions Contemporary Ballet’s Gala at the Joyce Theater in 2022, the International Rescue Committee Gala at Gotham Hall and ABT’s Fall Gala at Lincoln Center in 2023.  She has guested as the Sugar Plum Fairy for Hunterdon Hills Ballet, Strictly Ballet and Washington Rock Dance.  She has also danced the role of Clara for New Jersey Ballet’s Nutcracker in 2023. Rachel joined ARB in January 2024 as an Apprentice and has danced Florine, the White Cat, and a Little Swan in “Classic Beauty.” She was also a fairy in Ethan Stiefel’s A Midsummer Night’s Dream. 

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Tomoya Suzuki was born and raised in Tokyo, Japan, where he began his training at the age of 10. In 2019, at the age of 16, he moved to Philadelphia where he trained for three years at The Rock School for Dance Education. While at The Rock School, he performed the role of Cavalier in The Nutcracker as well as La Esmeralda and Justin Allen’s Above as Below. He  joined ARB’s Trainee program, and quickly moved up to ARB2. Suzuki performed as the Nephew/ Nutcracker Prince, Soldier Doll, and Candy Cane in ARB’s The Nutcracker, Ethan Stiefel and Johan Kobborg’s Giselle, Arthur Mitchell’s Holberg Suite, and Stiefel’s VARIANTS.

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Emily Cordies-Maso started her training at her mother Rebeca Maso’s studio in Somerset, NJ at a young age. At age 12 she attended Ballet Hispanico under the direction of Dr. Ana Maria Correa and later with current director Michelle Manzanales. Cordies-Maso was part of the Pre-Professional program for her last three years there under a full scholarship. During that time she was able to travel to Cordoba Mexico for the Festival de Danza and to Havana Cuba for the Ballet Nacional Festival International de Danza. In 2019 Cordies-Maso started studying under the direction of Aydmara Cabrera at Princeton Ballet school and was later a trainee in 2021 where she had the opportunity to perform Fandango Lead in Don Quixote, Spanish Lead and Dew Drop in The Nutcracker, Moyna in Giselle and Ethan Stiefel’s A Midsummer Night’s Dream. In December 2020, she studied as a stagiare at Ecole Rudra Bejart in Switzerland with a full scholarship, under the direction of Micheal Gascard and Julio Arrozarena where she performed Bejart Repertoire at Vaison la Roman, France and Martingy, Switzerland. Cordies-Maso has also attended various summer intensives including Sarasota Cuban Ballet School, Taina Morales and Jesus Corrales Summer Intensive in Montreal, Canada, and Leonel Morales & Friends Dance Course in Granada, Spain where she has performed Odalisque in Corsaire, Pas de Trois in Swan Lake, and numerous contemporary pieces. Her ARB credits include Arabian Lead in The Nutcracker, Da’Von Doane’s Kaleidoscope Mind, Ethan Stiefel and Johan Kobborg’s Giselle, Arthur Mitchell’s Holberg Suite, and Stiefel’s VARIANTS.

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Anthony Pototski began his training at the School of American Ballet in 2007, performing in The Nutcracker, Swan Lake and The Magic Flute. In 2012, he joined the Academy of Dance and Creative Art, where he danced pas de deux ranging from Giselle, Cinderella, Blue Bird, and The Nutcracker, to lesser known modern pieces. In 2016, he received a full scholarship to the American Ballet Theatre’s Jacqueline Kennedy Onassis School, were he was fortunate to work with Cynthia Harvey, Robert La Fosse, Ethan Stiefel, Karin Averty, Fabrice Herrault and Pertujska Broholm. After graduating in 2020, he continued his training with the Bolshoi Ballet’s Margarita Smirnova in Milan, Italy, before returning to the U.S., to join Princeton Ballet School as a trainee. During his time with PBS, he performed in its spring production of Giselle, Sleeping Beauty, and in Ethan Stiefel’s A Midsummer Night’s Dream. His ARB credits include Hilarion in Ethan Stiefel and Johan Kobborg’s Giselle, Caili Quan’s Circadia, Claire Davison’s Time Within A Time, Arthur Mitchell’s Holberg Suite, and Stiefel’s VARIANTS.

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Born in Munich, Germany to German and Italian parents, Jasmine Jasper began her training at the age of 5 in a nearby studio in her hometown. In 2008 she moved to Orlando, FL with her family where she started dancing at the Orlando Ballet School, training with Rebecca Martin and Theresa Crawford. She later joined the Central Florida Ballet in 2011, under the direction of Vasile Petrutiu, Vladimir Bykov, and Natalya Bashkatova. In 2015, she was accepted into ABT’s JKO School, where she performed in Jessica Lang’s The Gift, Alexei Ratmansky’s Rondo Capriccioso, Jerome Robbins’ Interplay, ABT’s Spring Preview as Aurora in The Sleeping Beauty, and ABT’s Le Corsaire, and Harlequinade, all while under the training of Cynthia Harvey, Robert La Fosse, Ethan Stiefel, Karin Averty, Fabrice Herrault, Pertujska Broholm, and Harriet Clark. In 2020, she became a NYU/ABT Certified Teacher and joined Princeton Ballet School as a Trainee a year later. There she had the opportunity to dance the title role in Princeton Ballet School’s spring production of Giselle, and to be a part of Ethan Stiefel’s A Midsummers Night’s Dream, right before joining the school’s company as an ARB2 dancer in 2022 and then becoming an Apprentice soon after. She has taken part in productions such as Ethan Stiefel and Johan Kobborg’s Giselle, The Nutcracker, Stiefel’s VARIANTS and Wood Work, Arthur Mitchell’s Holberg Suite and more.

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Lily Krisko (Sponsored by Ken Fredeen and Jane Silverman) was raised in Elizabethtown, Pennsylvania and began her formal ballet training at the age of 10.  Growing up, she trained at Central Pennsylvania Youth Ballet (CPYB) in Carlisle, Pennsylvania under the direction of Marcia Dale Weary. While at CPYB, she had the honor to perform roles such as the Sugar Plum Fairy in George Balanchine’s The Nutcracker, Juliet in Alan Hineline’s Romeo & Juliet, and Lead Russian Girl in Balanchine’s Serenade. Krisko attended many summers at Miami City Ballet as well as Ballet Academy East, CPYB, and Philadelphia Ballet. She was then invited by Angel Corella to become a trainee with Philadelphia Ballet on full scholarship. While at Philadelphia Ballet, she performed Snow and Flowers in Balanchine’s The Nutcracker, 1st Regiment in Balanchine’s Stars and Stripes, and Swan Corps in Corella’s Swan Lake. With American Repertory Ballet, she has danced in Ethan Stiefel’s Delibes Duet, as the Sugar Plum Fairy in The Nutcracker, as Aurora in Sleeping Beauty, in Ethan Stiefel and Johan Kobborg’s Giselle, as Changeling in Ethan Stiefel’s A Midsummer Night’s Dream, and in Arthur Mitchell’s Holberg Suite.

Roland Jones was born and raised in Poolesville, Maryland. He began training at Maryland Youth Ballet in 2012, before continuing his development as a trainee at Ballet West Academy under Jeff Rogers from 2017-2019. At Ballet West, he had the opportunity to perform as Oberon in George Balanchine’s A Midsummer Night’s Dream and guest performed as Colas in the University of Utah’s production of La Fille Mal Gardée, before being promoted to Ballet West II. In 2021, Jones joined Richmond Ballet II under Igor Antonov and Malcolm Burn, performing in ballets Romeo and Juliet and Balanchine’s Allegro Brillante. Jones joined ARB as an apprentice in 2022, and performed in Da’Von Doane’s Kaleidoscope Mind, Caili Quan’s Circadia, Claire Davison’s Bewitched. Jones also had the opportunity to perform as the Snow King and Cavalier in ARB’s The Nutcracker.

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Savannah Quiner was born and raised in northern New Jersey and began her formal ballet training at the North Jersey School of Dance Arts at the age of five under the direction of Christine Taylor and Luba Gulyaeva. In 2017, she placed first in classical at the Youth America Grand Prix (YAGP) Semifinals in Boston and was a scholarship recipient at the YAGP Finals. She has danced the role of the Sugar Plum Fairy for various studios in New Jersey from 2018-2020 and in New York Theatre Ballet’s Nutcracker in 2021. Prior to joining ARB, she danced at American Ballet Theatre’s Jacqueline Kennedy Onassis School for three years. She performed with American Ballet Theatre at Lincoln Center in Swan Lake (2019, 2022, & 2023), and in Manon (2019). At American Repertory Ballet, she has performed in The Nutcracker as Snow Queen and Dew Drop, Myrtha in Ethan Stiefel and Johan Kobborg’s Giselle, Ryoko Tanaka’s Hindsight, Amy Seiwert’s Sight Line, Ethan Stiefel’s VARIANTS and Wood Work, and Stephanie Martinez’s The Time That Runs Away.

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Hailing from New York, Seth Koffler (Sponsored by Jane Leslie Burgin) began his training at the age of six in the Riverdale YMHA Dance Program. In 2012, he was accepted into the Children’s Division of American Ballet Theatre’s Jacqueline Kennedy Onassis School on a full scholarship, learning from Franco De Vita, Melissa Bowman, Richard Bowman, Miklhail Ilyin, and Elizabeth Ferrell. He contributed his training through the graduated from that program in 2016 and continued his training with ABT’s JKO School in the Pre-Professional Division where he trained with Cynthia Harvey, Mikhail Ilyin, Robert La Fosse, and Ethan Stiefel. At the age of 10, Koffler danced various roles in Alexei Ratmansky’s production of The Nutcracker for American Ballet Theatre at the Brooklyn Academy of Music. In 2015, he performed the role of the Little Nutcracker Prince in the ABT’s production at the Segerstrom Center for the Arts in Costa Mesa, California. His ARB credits include The Nutcracker, Ethan Stiefel’s A Midsummer Night’s Dream, VARIANTS, Delibes Duet; Claire Davison’s Time Within A Time; Meredith Rainey’s Intrare Forma; as well as Ethan Stiefel and Johan Kobborg’s Giselle. In summer of 2023, Koffler performed Grand Pas Classique at the Les Rayonnantes Festival in Perpignan, France.

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Tiziano Cerrato was born and raised in Rome, Italy, where he began his early training at the age of nine. Among his earliest teachers was the legendary Italian ballerina Elisabetta Terabust. He continued his training at Rome’s Accademia Nazionale di Danza where he studied with Giuseppina Ercolani and the celebrated Croatian ballet dancer Zarko Prebil. From 2016-2019, he trained at the Accademia Teatro alla Scala in Milan with Leonid Nikonov, Frederic Oliveiri and Maurizio Vanadia. In 2019, Cerrato joined American Ballet Theatre’s Jacqueline Kennedy Onassis School where he trained under Cynthia Harvey, Mikhail Ilyin, Robert La Fosse and Ethan Stiefel. During the 2020-2021 season, Cerrato was a trainee with the San Francisco Ballet under Patrick Armand, and Helgi Tomasson. His American Repertory Ballet credits include The Nutcracker, Stiefel’s A Midsummer Night’s Dream, Delibes Duet and VARIANTS, Arthur Mitchell’s Holberg Suite, Amy Seiwert’s Sight Line, and Ethan Stiefel and Johan Kobborg’s Giselle.

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