Holberg Suite

After 50 years, American Repertory Ballet brings Arthur Mitchell’s Holberg Suite back to life, blending and balancing of mid-20th century ideas to 21st century sensibilities. Set to music by Edvard Grieg, “ARB’s revival of Holberg Suite is a gift.” – Community News

…a nonstop kaleidoscope of neoclassical motion that’s as entertaining as it sounds.

Critical Dance

Choreographer | Arthur Mitchell

Arthur Mitchell was known around the world for creating and sustaining the Dance Theatre of Harlem, the internationally acclaimed ballet company he co-founded with Karel Shook in 1969. Following a brilliant career as a principal artist with the New York City Ballet, Mr. Mitchell dedicated his life to changing perceptions and advancing the art form of ballet through the first permanently established African American and racially diverse ballet company. Born in New York City in 1934, Mr. Mitchell began his dance training at New York City’s High School of the Performing Arts, where he won the coveted annual dance award and subsequently a full scholarship to the School of American Ballet. In 1955, he became the first male African American to become a permanent member of a major ballet company when he joined New York City Ballet. Mr. Mitchell rose quickly to the rank of Principal Dancer during his fifteen-year career with New York City Ballet and electrified audiences with his performances in a broad spectrum of roles. Upon learning of the death of Reverend Dr. Martin Luther King, Jr. and with financial assistance from Mrs. Alva B. Gimbel, the Ford Foundation and his own savings, Mr. Mitchell founded Dance Theatre of Harlem with his mentor and ballet instructor Karel Shook. With an illustrious career that has spanned over fifty years, Mr. Mitchell was the recipient of the Kennedy Center Honors, a National Medal of the Arts, a MacArthur Foundation Fellowship, the New York Living Landmark Award, the Handel Medallion, the NAACP Image Award, and more than a dozen honorary degrees.

Costume Design | Janessa Cornell Urwin

Janessa Cornell Urwin began her career as a ballet dancer before transitioning into costuming. She has designed costumes for numerous classical ballets and contemporary dance pieces for American Repertory Ballet, Stockton University Dance Program, Traverse City Dance Project, The Nutmeg Ballet, Rutgers University, Kun-Yang Lin/Dancers, and Nacre Dance Company, among others. She has worked with esteemed choreographers Kirk Peterson, Starr Foster, Riccardo De Nigris, Michael Nickerson-Rossi, and Meredith Rainey. Urwin also has a short film design credit and has designed for Athena Theatre Company. She holds a certificate in Costume Design from the Fashion Institute of Technology. Her recent credits include Ethan Stiefel’s A Midsummer Night’s Dream and Ethan Stiefel and Johan Kobborg’s Giselle.

Lighting Design | Jason Flamos

Jason Flamos Credits include: (Mile Square Theatre) Pipeline, I and You, It’s a Wonderful Life, The 39 Steps, Betrayal; (Shakespeare Theater NJ) William Shakespeare’s Long Lost First Play; (10 Hairy Legs) Heist, Cruise Control, Brian, Quadrivium; (Thingamajig Theatre Company) The Pillowman, Cabaret, The Little Mermaid, A Few Good Men. Flamos was the Associate Lighting Design for the Off-Broadway productions of Clever Little Lies and The Other Josh Cohen at Westside Theater, F***ing A at Signature Theater, The Producers and Benny and Joon at Paper Mill Playhouse, and Rags at Goodspeed Opera. He was the lighting supervisor for 10 Hairy Legs and is the current lighting supervisor at American Repertory Ballet.

Photos by Kyle Froman

Video editing by Michelle Quiner

Runtime

17 minutes, 15 seconds

Number of performers

14 dancers

Tech Rider

Available upon request

Link to full performance video

Available upon request