Aldeir Monteiro and Ryoko Tanaka in Ethan Stiefel’s Wood Work, by Eduardo Patino; Attacca Quartet by David Goddard
John ADAMS / John’s Book of Alleged Dances (Selections)
Choreography by Caili Quan
Music – Carrot Revolution by Gabriella Smith
Caroline SHAW / The Evergreen
WOOD WORK (Excerpts)
Choreography by Ethan Stiefel
Music – Wood Works Nordic Folk Tunes (arr. Danish String Quartet)
*With orchestra and choir
Photo: Eduardo Patino, NYC
Inspired by six songs from the legendary band Fleetwood Mac, Time Within A Time reflects on recent years and how it might feel to return to a place, such as a theater, studio, workplace – or to each other. It is also a celebration! “We are happy to be together again,” says Claire Davison. “I am thrilled to be returning to ARB as the dancers are a dream to work with: talented, eager, passionate and willing to play. And, the music of Fleetwood Mac is unbeatable.”
Davison currently dances with American Ballet Theatre (ABT). Her choreographic credits include One of Us (2019) for Boulder Ballet and Por Ti for Kaatsbaan Cultural Park’s 2021 Summer Festival. In 2021, Davison was also the selected choreographer for New York Theatre Ballet’s Lift Lab. She participated in ABT’s 2022 Incubator program and created a one-woman show, Crash Test Dummy, for which she received the Bindlestiff Family Cirkus First of May award.
Newly appointed Artistic Director of Madison Ballet, Ja’ Malik, has been called a “choreographer to watch” by The New York Times. Describing his piece Moving to Bach, Malik says he was “inspired by both the dancers of ARB and Bach’s beautiful Sonata for Violin Solo No. 1. This new work for five dancers will create an ever evolving world of exhilarating physicality in both a direct relation and counter relation to the rhythmically serene and sometimes explosive score by Bach.”
Malik previously danced with North Carolina Dance Theater (now Charlotte Ballet), BalletX, Ballet Hispanico, in addition to working with Camille A. Brown (For Colored…at the Public Theater), Juel D. Lane, and College Dance Collective among others. With a deep connection to music, Malik’s choreography draws on his own personal life experiences as well as the world around him to create physically emotional works that allow both dancers and audiences to experience a connection through the language of movement.
Caili Quan is a New York-based choreographer and a Creative Associate at The Juilliard School. Her new piece for ARB is inspired by how the body is affected during sleep. “Sleep gives us a place to recover, but it is also where our minds choose memories to keep. It also allows us space to reminisce and dream,” she says. “The music for the work is an eclectic mix that made me want to move, but also felt like a soundtrack to our dreams.”
Quan danced and choreographed for BalletX, and has created works for The Juilliard School, Nashville Ballet, and others. Her short documentary called Mahålang weaves familial conversations of her Chamorro Filipino upbringing on Guam with scenes from BalletX’s Love Letter, and was shown at the Hawai’i International Film Festival, CAAMFest, and the Dance on Camera Festival at Lincoln Center. She will be an artist in residence at the 2022 Vail Dance Festival.
Choreographer | Ethan Stiefel
Ethan Stiefel is an internationally recognized artist, educator and leader in the performing arts. Stiefel was the Principal Guest Instructor at American Ballet Theatre (ABT) from 2016-2021 and the Artistic Director of the Royal New Zealand Ballet (RNZB) from 2011-2014. Just before being appointed the RNZB’s Artistic Director, he served as Dean of the School of Dance at the University of North Carolina School of the Arts (UNCSA) from 2007-2011.
Stiefel began his professional career at age 16 with the New York City Ballet where he quickly rose to the rank of Principal Dancer. He was also a Principal Dancer with Ballett Zürich and joined American Ballet Theatre as a Principal Dancer in 1997.
During his career, Stiefel performed leading roles in all of the full-length classics and danced in an extensive range of shorter works created by the industry’s foremost classical, modern and contemporary choreographers. Read more about Ethan Stiefel here.
Music | Felix Mendelssohn and Erich Wolfgang Korngold
Adolphe Adam was a French composer whose music for the ballet Giselle (1841) is noted for its easy grace and cogency. It has retained its popularity with dancers and audiences to the present day.
Adam wrote more than 70 operas, of which the most popular in their day were Le Châlet (1834), Le Postillon de Longjumeau (1836), and Giralda (1850). In his ballets—which he composed for production in London, Berlin, and St. Petersburg, as well as Paris—he skillfully coordinated the music with choreographic demands.
Scenic Design | Howard Jones
Howard C. Jones is an acclaimed set designer and teacher. His designs have graced stages from coast to coast, including Starlight Theatre, Missouri Repertory Theater, American Heartland Theater, and theater companies in Boston and other east coast cities.
Costume Design | Janessa Cornell Urwin
Janessa Cornell Urwin began her career as a ballet dancer before transitioning into costuming. She has designed costumes for numerous classical ballets and contemporary dance pieces for American Repertory Ballet, Stockton University Dance Program, Traverse City Dance Project, The Nutmeg Ballet, Rutgers University, Kun-Yang Lin/Dancers, and Nacre Dance Company, among others. She has worked with esteemed choreographers Kirk Peterson, Starr Foster, Riccardo De Nigris, Michael Nickerson-Rossi, and Meredith Rainey. Urwin also has a short film design credit and has designed for Athena Theatre Company. She holds a certificate in Costume Design from the Fashion Institute of Technology. Most recently she designed Ethan Stiefel’s A Midsummer Night’s Dream and the costumes for Movin’ + Groovin’. Urwin is also ARB’s Wardrobe Supervisor.
Lighting Design | Joseph R. Walls
Walls has created designs for The John F. Kennedy Center for Performing Arts, Calgary’s The High Performance Rodeo, Washington D.C.’s Inter-American Development Bank. The New York Musical Festival, Washington DC Fringe Festival, The New York International Fringe Festival, Atlanta’s High Museum of Art, The National Theatre of Panamá, Panamá’s Theatro Anayansi, The Figali Convention Center of Panamá, and New York City’s Fall for Dance Festival.
Photos by Rosalie O’Connor Photography