Author: Pasqualina DeBoer

American Repertory Ballet (ARB) is proud to present Ethan Stiefel and Johan Kobborgs internationally acclaimed production of Giselle. Originally created for the Royal New Zealand Ballet under Stiefels artistic leadership in 2012, Giselle has been restaged and partially redesigned specifically for ARB by the award-winning team of Howard Jones (scenic designer), Natalia Stewart (costume designer), and Joseph R. Walls (lighting designer). Giselle will be performed at the New Brunswick Performing Arts Center (NBPAC) March 3-5, 2023.

This production of Giselle from Stiefel and Kobborg has been celebrated for its imaginative and skillful retelling of the classic story. Act I features reinvigorated group dances, more substantial dancing from Hilarion, and a Wedding Couple that drive the narrative with pace and excitement. In the ballet’s iconic Act II, Giselle dances among the ghosts of women who too have died after being betrayed by their lovers, but in Stiefel and Kobborg’s re-imagining, the fragility of these otherworldly women, known as Wilis, are characterized by a unique and determinable strength. Giselle’s love, Albrecht, is depicted as untraditionally remorseful.

“Giselle was so meaningful to both Johan and me as performers during our careers. Excited by the opportunity to honor the legacy of Giselle and to retain the essence of a beloved work that has been iconic for almost two centuries, we have also sought to inject some new pace into the story-telling and to augment the dancing, story, and characters. We had a clear and unified vision of what we wanted to achieve and feel that this production strikes an elegant balance of shedding new light on the classic, yet maintaining what has made Giselle so special for so long,” explains Ethan Stiefel, ARB Artistic Director.

Johan Kobborg, a veteran of the Royal Danish Ballet and London’s Royal Ballet, says of this collaboration, “I am looking very much forward to revisiting, reworking, and tailoring our Giselle production for ARB. Creating Giselle with Ethan Stiefel in 2012 is to this day one of my career’s creative highlights. Collaborating on the unique task of creating and bringing to life a joint artistic vision and choreographic language proved a wonderfully rare and inspiring process and one that I look forward to further developing on the wonderful dancers of ARB.”

The Stiefel and Kobborg production was the subject of Toa Frasers 2013 feature film and was selected for screening in the NZ International Film Festival, Vancouver International Film Festival, and the Toronto International Film Festival.

One of the most romantic story ballets of all time, Giselle illustrates the strength of love, the devastation of betrayal, and the power of forgiveness. Giselle will be on stage at the New Brunswick Performing Arts Center on Friday, March 3 at 7:00 pm, Saturday, March 4 at 2:00 pm and 7:00 pm, and Sunday, March 5 at 2:00 pm. Tickets start at $25. For tickets, please visit arballet.org

American Repertory Ballets Giselle is made possible by a generous Leading Underwriter gift from The Ted Mary Jo Shen Charitable Gift Fund. Additional production support comes from Leading Sponsor Nora C. Orphanides.

World-Renowned Ballerina to Lead Select Classes for Advanced Ballet Program

Princeton Ballet School is thrilled to announce that Gillian Murphy, Artistic Associate of American Repertory Ballet and principal dancer with American Ballet Theatre, and Unity Phelan, principal dancer with New York City Ballet, will be joining us as special guest instructors for select classes during the 2023 Advanced Summer Intensive.

Gillian Murphy is a principal dancer with American Ballet Theatre, and has received critical acclaim for her performances in a wide range of classical and contemporary ballets. She has toured internationally and received numerous awards and accolades for her technical mastery and artistic expression.

Unity Phelan, a principal dancer with New York Ballet and a Princeton Ballet School alum, is known for her exceptional technique and captivating stage presence. She has performed with some of the most prestigious dance companies in the world, and has created works for film and television.

Princeton Ballet School is honored to have such talented and accomplished artists join the faculty for the Advanced Summer Intensive, a five-week program that attracts serious dance students from around the world who wish to improve their technique and artistry.

In addition to Gillian Murphy and Unity Phelan, the faculty includes other highly respected dancers, teachers, and choreographers such as Kathleen Moore, Michael Crawford, Ryoko Tanaka, Rebeca Maso, Luis Napoles, and Ana Novoa.

Don’t miss this once-in-a-lifetime opportunity to take your dance training to the next level. Space is limited! Audition in-person, virtually, or by submitting a video. All students must pre-register before auditioning. To register to audition, please visit arballet.org/SI

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ABOUT GILLIAN MURPHY

Gillian Murphy is currently celebrating her twentieth year as a principal ballerina with American Ballet Theatre (ABT), and her repertoire includes leading roles in all of ABT’s current full-length classics and in shorter works by luminary choreographers of the past and present. As a teenager, Gillian was awarded the Prix de Lausanne Espoir, and she joined American Ballet Theatre in 1996. After being honored with a Princess Grace Foundation Award, Gillian was promoted to Soloist in 1999 and to Principal Dancer in 2002. She starred as Odette/Odile in ABT’s PBS television production of Swan Lake and as Giselle in the New Zealand Film Commission’s movie of Stiefel and Kobborg’s production of Giselle at the Royal New Zealand Ballet, where she was a Principal Guest Artist for three years. Gillian has danced as a guest artist throughout the world, performing with the Mariinsky Ballet, the Royal Swedish Ballet, the Staatsballett Berlin, the Kiev Ballet, the Australian Ballet, as a ballerina with the Metropolitan Opera, and in numerous other international engagements and galas. In recent years, she has received a Princess Grace Statue Award and an honorary doctorate from her high school alma mater, the University of North Carolina School of the Arts. In 2018, Murphy graduated summa cum laude from St. Mary’s College of California with a Bachelor of Arts, and she completed the Harvard Business School’s “Crossover into Business” program in 2019. Gillian Murphy is the Artistic Associate of American Repertory Ballet.

ABOUT UNITY PHELAN

Unity Phelan was born in Princeton, New Jersey and began her dance training at the age of five at the Princeton Ballet School. During the summers of 2008 and 2009, Ms. Phelan attended the summer sessions at the School of American Ballet, the official school of New York City Ballet, and enrolled as a full-time student in fall of 2009. She became an apprentice with NYCB in December 2012 and joined the Company as a member of the corps de ballet in November 2013. In February 2017, Ms. Phelan was promoted to the rank of soloist, and in October 2021, she was promoted to principal dancer.

ABOUT PRINCETON BALLET SCHOOL

Princeton Ballet School, the official school of American Repertory Ballet, is widely respected for its dedication to cultivating the growth of dancers in an innovative and comprehensive way. It is recognized as one of the top non-profit dance schools in the country. There are several factors that contribute to the school’s distinction, including its philosophy, faculty, association with a professional ballet company, use of live music in classes, and facilities. All of these elements work together to create a unique and exceptional dance education experience for students. arballet.org

Princeton Ballet School’s Advance Summer Intensive program is a highly respected and rigorous training program for advanced ballet dancers. The program is designed to provide dancers with the opportunity to improve their technical skills, artistry, and performance abilities through intensive training with top-quality instructors. arballet.org/SI

World-Renowned Ballerina to Lead Select Classes for Advanced Ballet Program

Princeton Ballet School is thrilled to announce that Gillian Murphy, Artistic Associate for American Repertory Ballet and world-renowned ballerina, will be joining us as a special guest instructor for select classes during our 2023 Advance Summer Intensive.

Gillian Murphy is a principal dancer with American Ballet Theatre, and has received critical acclaim for her performances in a wide range of classical and contemporary ballets. She has toured internationally and received numerous awards and accolades for her technical mastery and artistic expression.

Princeton Ballet School is honored to have such a talented and accomplished dancer join the faculty for the Advanced Summer Intensive. Students will have the unique opportunity to learn from one of the leading dancers in the world and gain valuable insights into professional ballet.

Princeton Ballet School’s Advance Summer Intensive is a five-week program designed for serious dance students who wish to improve their technique and artistry. This program attracts advanced students from all over the globe. In addition to Gillian Murphy, the faculty will consist of other highly respected dancers, teachers and choreographers such as Kathleen Moore, Michael Crawford, Ryoko Tanaka, Rebeca Maso, Luis Napoles and Ana Novoa.

Don’t miss this once-in-a-lifetime opportunity to study with Gillian Murphy and take your dance training to the next level. Space is limited! For more information and to register to audition, please visit arballet.org/SI

Photo: Gillian Murphy, courtesy of American Repertory Ballet (photo/Harald Schrader Photography)

ABOUT GILLIAN MURPHY

Gillian Murphy is currently celebrating her twentieth year as a principal ballerina with American Ballet Theatre (ABT), and her repertoire includes leading roles in all of ABT’s current full-length classics and in shorter works by luminary choreographers of the past and present. As a teenager, Gillian was awarded the Prix de Lausanne Espoir, and she joined American Ballet Theatre in 1996. After being honored with a Princess Grace Foundation Award, Gillian was promoted to Soloist in 1999 and to Principal Dancer in 2002. She starred as Odette/Odile in ABT’s PBS television production of Swan Lake and as Giselle in the New Zealand Film Commission’s movie of Stiefel and Kobborg’s production of Giselle at the Royal New Zealand Ballet, where she was a Principal Guest Artist for three years. Gillian has danced as a guest artist throughout the world, performing with the Mariinsky Ballet, the Royal Swedish Ballet, the Staatsballett Berlin, the Kiev Ballet, the Australian Ballet, as a ballerina with the Metropolitan Opera, and in numerous other international engagements and galas. In recent years, she has received a Princess Grace Statue Award and an honorary doctorate from her high school alma mater, the University of North Carolina School of the Arts. In 2018, Murphy graduated summa cum laude from St. Mary’s College of California with a Bachelor of Arts, and she completed the Harvard Business School’s “Crossover into Business” program in 2019. Gillian Murphy is the Artistic Associate of American Repertory Ballet. @GillianMurphy

ABOUT PRINCETON BALLET SCHOOL

Princeton Ballet School, the official school of American Repertory Ballet, is widely respected for its dedication to cultivating the growth of dancers in an innovative and comprehensive way. It is recognized as one of the top non-profit dance schools in the country. There are several factors that contribute to the school’s distinction, including its philosophy, faculty, association with a professional ballet company, use of live music in classes, and facilities. All of these elements work together to create a unique and exceptional dance education experience for students. arballet.org

Princeton Ballet School’s Advance Summer Intensive program is a highly respected and rigorous training program for advanced ballet dancers. The program is designed to provide dancers with the opportunity to improve their technical skills, artistry, and performance abilities through intensive training with top-quality instructors. arballet.org/SI

Header photo: Gillian Murphy in Ethan Stiefel’s A Midsummer Night’s Dream (photo/ Rosalie O’Connor Photography)

American Repertory Ballet’s magical production of The Nutcracker returns to three Central New Jersey performing arts venues this holiday season. The curtain lifts at McCarter Theatre Center in Princeton, November 25-27; performances continue at the Patriots Theater at the War Memorial in Trenton on December 11; and the grand finale will be at State Theatre New Jersey in New Brunswick, December 16-18.

“The Nutcracker ballet is a local and national holiday custom for families and seasoned ballet fans alike.  It is no surprise that the charm, excitement, and wonder of the production continues to be a part of our communities’ annual holiday plans and an ideal way to celebrate the season,” says Artistic Director Ethan Stiefel.

For the first time, American Repertory Ballet (ARB) will collaborate with the Capital Philharmonic of New Jersey, led by conductor Daniel Spalding. These professional artists will be joined by the Trenton Children’s Chorus for one performance only at the Patriot’s Theater at the War Memorial.

Five performancesat State Theatre New Jersey will feature live music played by the ARB Orchestra, this year led by Princeton Symphony Orchestra’s Georg and Joyce Albers-Schonberg Assistant Conductor Kenneth Bean, and accompanied by the Princeton Girlchoir.

The Nutcracker tells the magical story of Clara and her Nutcracker Prince as they battle toy soldiers and larger-than-life mice, and travel through a whirlwind of dancing snowflakes to the Land of Sweets. Greeted by the Sugar Plum Fairy and her Cavalier, Clara enjoys a suite of brilliant and joyful dances before opening her eyes to the familiar sights of her own home, wondering if it was all a dream.

“Each performance of The Nutcracker is unique, from the extraordinary dancing and scenic treats onstage, to the magical sounds of the orchestra and singers,” says Julie Diana Hench, Executive Director. Families can also take pictures with cast members in the lobby and visit The Nutcracker boutique for specialty gifts, maybe even enjoy some hot cocoa at intermission. “For almost 60 years, families have been delighted by this beloved production and making wonderful memories together,” says Hench. “We invite audiences of all ages to join in the fun!”

Whether it will be your first time seeing American Repertory Ballet’s The Nutcracker, or you have been enjoying it for years… the magic awaits. For tickets, visit arballet.org.

 
McCarter Theatre Center | 91 University Place | Princeton, NJ
Friday, November 25       2:00 PM
Friday, November 25      7:30 PM
Saturday, November 26  2:00 PM
Saturday, November 26  7:30 PM
Sunday, November 27    1:00 PM

Patriots Theater at the War Memorial | 1 Memorial Dr. | Trenton, NJ
with Capital Philharmonic of New Jersey and Trenton Children’s Chorus 
Saturday, December 11 3:00 PM

State Theatre New Jersey | 15 Livingston Ave. | New Brunswick, NJ
with the ARB Orchestra and Princeton Girlchoir
Friday, December 16      7:30 PM
Saturday, December 17  2:00 PM
Saturday, December 17  7:00 PM
Sunday, December 18     1:00 PM
Sunday, December 18     5:00 PM

Please Note: For all three venues, masks are strongly encouraged but not required.  


ABOUT AMERICAN REPERTORY BALLET

Led by Artistic Director Ethan Stiefel, American Repertory Ballet (ARB) is New Jersey’s preeminent ballet company, presenting classical repertory alongside new and existing contemporary work. ARB is a founding resident company of the New Brunswick Performing Arts Center while also performing in major venues across New Jersey and beyond. Founded in 1954 as the Princeton Ballet Society, ARB has been designated a “Major Arts Institution” by the New Jersey State Council on the Arts consistently for the past two decades and has repeatedly been awarded a Citation of Excellence by the Council. The company has been recognized by the National Endowment for the Arts and other major foundations and leaders in the field as a prominent force in the field of dance. Princeton Ballet School, ARB’s official school, attracts talent from around the world while providing opportunities for local students of all ages, such as through its award-winning DANCE POWER and Dance for Parkinson’s programs. 

 Find ARB online at arballet.org; on facebook at facebook.com/americanrepertoryballet; and on Instagram at instagram.com/arballet.

Season tickets are now available! Buy tickets to all three American Repertory Ballet programs at the New Brunswick Performing Arts Center (Kaleidoscope, Giselle, and PREMIERE3) and receive 30% off. This offer only applies when purchasing all three programs in the same transaction. Subscribers also receive additional discounts and benefits.

A dynamic mix of new works and iconic story ballets

Still invigorated by a year of standing ovations and critical success, American Repertory Ballet (ARB) is thrilled to reveal its dramatic 2022/23 season. 

KALEIDOSCOPE

A founding resident company of the New Brunswick Performing Arts Center (NBPAC), American Repertory Ballet returns to its home venue September 23-25, 2022 with Kaleidoscope, an innovative program featuring a new creation by ARB’s own Ryoko Tanaka and pianist-composer Ian Howells. Audience favorite, Claire Davison’s Bewitched (set to Ella Fitzgerald’s iconic vocals) is certain to delight alongside a dazzling classical pas de deux showcasing the balletic bravura of ARB’s artists. Also commissioned for the program is a unique collaboration between choreographer Da’ Von Doane (formerly of Dance Theatre of Harlem) and New Jersey-based visual artist Grace Lynne Haynes, whose creations have graced the cover of The New Yorker magazine among others.

THE NUTCRACKER

American Repertory Ballet’s beloved production of The Nutcracker returns with performances at four venues throughout New Jersey beginning November 25, 2022 at Princeton’s McCarter Theatre Center and closing December 16-18, 2022 at State Theatre New Jersey, with a full orchestra and youth choir. This holiday favorite tells the magical story of Clara and her Nutcracker Prince as they battle toy soldiers and larger-than-life mice, and travel through a whirlwind of dancing snowflakes to the Land of Sweets. Greeted by the Sugar Plum Fairy and her Cavalier, Clara enjoys a suite of brilliant and joyful dances before opening her eyes to the familiar sights of her home, wondering if it was all a dream.

GISELLE

Making its American Repertory Ballet premiere at the New Brunswick Performing Arts Center, March 3-5, 2023, Ethan Stiefel and Johan Kobborg (formerly of the Royal Ballet and the Royal Danish Ballet) will present their co-choreographed Giselle. The celebrated and moving production, which had its world premiere at the Royal New Zealand Ballet in 2012 and has toured the globe, will be restaged and partially redesigned specifically for American Repertory Ballet by an award-winning and renowned creative team. With universal themes of love, betrayal, and forgiveness, Giselle is one of the most popular and beloved full-length story ballets of all time. 

Kaye Playhouse NYC

In addition to ARB’s local venues, the company returns to the Kaye Playhouse at New York’s Hunter College for one performance on Saturday, March 25, 2023 with a mixed repertory program never-before-seen by New York audiences. 

PREMIERE3

The season will close at the New Brunswick Performing Arts Center, June 9-11, 2023, with PREMIERE3 featuring the company premiere and revival of Arthur Mitchell’s invigorating Holberg Suite set to the music of Edvard Grieg, as well as highly anticipated world premieres by Amy Seiwert and Ethan Stiefel.

“Building upon the renewed affirmation that dance impassions the hearts, bodies and minds of our communities, American Repertory Ballet will continue to blaze new trails and present distinctive programming within the industry. Our belief that modern voices igniting new creations, alongside original interpretations of iconic classical works, speaks to our pursuit of being uniquely timeless and relevant.  The upcoming season captures this feeling and keeps us steadfast in being authentic and singularly American Repertory Ballet.”

Ethan Stiefel, Artistic Director

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ABOUT THE CHOREOGRAPHERS

Claire Davison began her ballet training at the Boulder Ballet School and attended Boston Ballet School, Pacific Northwest Ballet School, School of American Ballet, and San Francisco Ballet School summer programs. She was a finalist at the 2009 Youth America Grand Prix competition. Davison joined the American Ballet Theatre Jacqueline Kennedy Onassis School in 2010, was named an apprentice with the main Company in 2012, and appointed to the corps de ballet in June 2013. Her repertoire with ABT includes Berthe in Giselle, Good Fairy in Harlequinade, Madame in Manon, Nanny and Sugar Plum Fairy in The Nutcracker, the Queen Mother in Swan Lake, and a featured role in Deuce Coupe. Davison participated in ABT’s Innovation Initiative in 2014 and ABT Incubator in 2019. Her new work for American Repertory Ballet, called Time Within A Time, premiered in June 2022.

Da’ Von Doane is a former leading dance artist with Dance Theatre of Harlem. He was named one of Dance Magazines Top 25 to Watch in 2014 and a Pointe Magazine Stand Out in 2017. Da’ Von is originally from Salisbury Maryland, where he began his dance training. Since 2012 Da’ Von has been a leading member of The Dance Theatre of Harlem and has performed in works by Donald Byrd, Tanya Wideman and Thaddeus Davis, Helen Picket, Francesca Harper, Arthur Mitchell, Billy Wilson, Darrell Moultrie, Claudia Schreier, Robert Garland, George Balanchine, Royston Maldoom, Nacho Duato and Ulysses Dove. As a guest artist Da’ Von has appeared in Galas and Festivals in Vail Colorado, Cancun Mexico, And Poland, as well as Guggenheim works in process, E- Moves at Harlem Stage in NYC, and The Virginia Arts Festival. His Choreography has been presented numerous times in NYC by Periapsis Music and Dance, Bryant Park Presents, The Thelma Hill Performing Arts Center and the 92^nd Str Y. Da’ Von is currently Associate Adjunct Faculty and an MFA candidate at University of the Arts. Da’ Von’s current research focuses on the fluctuations in energetic frequencies in and around the body causing us to shapeshift according to our intended purposes.

Johan Kobborg is a choreographer and former Principal Dancer of the Royal Danish Ballet and The Royal Ballet London, and most recently is the Former Artistic Director of the Ballet Opera National Bucharest. Kobborg has performed with some of the leading companies in the world, such as the Mariinsky, the Bolshoi, American Ballet Theatre and the National Ballet of Canada. As a choreographer, he has created works for companies such as the Bolshoi Ballet, The Royal Ballet, Royal Danish Ballet, National Ballet of Canada, San Francisco Ballet, The Sarasota Ballet and the Royal New Zealand Ballet.

Arthur Mitchell was known around the world for creating and sustaining the Dance Theatre of Harlem, the internationally acclaimed ballet company he co-founded with Karel Shook in 1969. Following a brilliant career as a principal artist with the New York City Ballet, Mr. Mitchell dedicated his life to changing perceptions and advancing the art form of ballet through the first permanently established African American and racially diverse ballet company. Born in New York City in 1934, Mr. Mitchell began his dance training at New York City’s High School of the Performing Arts, where he won the coveted annual dance award and subsequently a full scholarship to the School of American Ballet. In 1955, he became the first male African American to become a permanent member of a major ballet company when he joined New York City Ballet. Mr. Mitchell rose quickly to the rank of Principal Dancer during his fifteen-year career with New York City Ballet and electrified audiences with his performances in a broad spectrum of roles. Upon learning of the death of Reverend Dr. Martin Luther King, Jr. and with financial assistance from Mrs. Alva B. Gimbel, the Ford Foundation and his own savings, Mr. Mitchell founded Dance Theatre of Harlem with his mentor and ballet instructor Karel Shook. With an illustrious career that has spanned over fifty years, Mr. Mitchell was the recipient of the Kennedy Center Honors, a National Medal of the Arts, a MacArthur Foundation Fellowship, the New York Living Landmark Award, the Handel Medallion, the NAACP Image Award, and more than a dozen honorary degrees.

Amy Seiwert enjoyed a nineteen-year performing career dancing with the Smuin, Los Angeles Chamber, and Sacramento Ballets. As a dancer with Smuin Ballet, she became involved with the “Protégé Program,” where her choreography was mentored by the late Michael Smuin. She was Choreographer in Residence there upon her retirement from dancing in 2008 until 2018. She is the recipient of numerous choreographic awards, including a “Goldie” award from the San Francisco Bay Guardian, which described Seiwert as the Bay Area’s most original dance thinker, “taking what some consider a dead language and using it with a 21st-century lingo to tell us something about who we are.” Seiwert’s ballets are in the repertories of companies from coast to coast and her works have been supported by the Joyce Theater, the Kennedy Center, and the National Endowment of the Arts. Seiwert currently serves as Artistic Director of Imagery, a contemporary ballet company in San Francisco.

Ethan Stiefel is an internationally renowned Dancer, Instructor, Coach, Director and Choreographer. Stiefel became American Repertory Ballet’s Artistic Director in July, 2021. In 1989, Stiefel began his professional career at age 16 with the New York City Ballet where he quickly rose to the rank of Principal Dancer. Stiefel was also a Principal Dancer with Ballett Zürich followed by being a Principal Dancer with American Ballet Theatre (ABT) from 1997-2012. Stiefel has served as Dean of the School of Dance at the University of North Carolina School of the Arts (UNCSA) as well as the Artistic Director of the Royal New Zealand Ballet. During his celebrated performing career, Stiefel danced leading roles in all the full-length classics and performed in an extensive range of shorter classical, contemporary, and modern works. Guest appearances include dancing with The Royal Ballet, The Mariinsky Ballet, New York City Ballet, Teatro Colon, The Australian Ballet and many others. He has appeared in numerous film, video and television productions including the feature film Center Stage and the documentary Born to be Wild. As a choreographer, he has created new works for American Repertory Ballet, the Royal New Zealand Ballet, The Washington Ballet, ABT Studio Company, Northern Ballet (UK), The Royal Ballet School, UNCSA, Jimmy Kimmel Live! and the television series Flesh and Bone on the STARZ network. Stiefel has received a number of prestigious awards such as the Statue Award of the Princess Grace Foundation and the Dance Magazine Award.

Ryoko Tanaka was born and raised in Wakayama Japan, where she began her training. In 2013, she was selected to be in the Nancy Einhorn Milwaukee Ballet II program, where she performed in Michael Pink’s Romeo and Juliet, The Nutcracker and Timothy O’ Donnell’s At World’s End as a soloist. In 2017, she joined the trainee program at American Repertory Ballet and soon moved up to ARB 2. In 2018, she was promoted to ARB. Since joining the company, Ryoko has performed the title role in Giselle, Sugar Plum in The Nutcracker, Odette in Swan Lake for Princeton Ballet School, Paul Taylor’s Airs, Trey McIntyre’s Blue Until June, Ethan Stiefel’s Wood Work, Amy Seiwert’s World, Interrupted and multiple other roles. She made her debut as a choreographer creating a new contemporary piece Saudade for ARB digital season in 2021. 

ABOUT AMERICAN REPERTORY BALLET

Led by Artistic Director Ethan Stiefel, American Repertory Ballet (ARB) is New Jersey’s preeminent ballet company, presenting classical repertory alongside new and existing contemporary work. ARB is a founding resident company of the New Brunswick Performing Arts Center while also performing in major venues across New Jersey and beyond for an annual audience of more than 30,000. Founded in 1954 as the Princeton Ballet Society, ARB has been designated a “Major Arts Institution” by the New Jersey State Council on the Arts consistently for the past two decades and has repeatedly been awarded a Citation of Excellence by the Council. The company has been recognized by the National Endowment for the Arts and other major foundations and leaders in the field as a prominent force in the field of dance. Princeton Ballet School, ARB’s official school, attracts talent from around the world while providing opportunities for local students of all ages, such as through its award-winning DANCE POWER program.

* Photo of Annie Johnson by Harald Schrader Photography