World, Interrupted
Created for a digital world premiere in early 2021, Amy Seiwert’s World, Interrupted explores resiliency, hope, exhaustion, disruption – all shared experiences related to the COVID-19 pandemic.
“Danced sans pointe shoes, and bare-legged, on an empty stage, the work is sleekly built out of expressive movements derived, in large part, from pedestrian actions.”
Community News
One minute promo reel
Choreographer | Amy Seiwert
Amy Seiwert enjoyed a nineteen-year performing career dancing with the Smuin, Los Angeles Chamber, and Sacramento Ballets. As a dancer with Smuin Ballet, she became involved with the “Protégé Program,” where her choreography was mentored by the late Michael Smuin. She was Choreographer in Residence there upon her retirement from dancing in 2008 until 2018. She is the recipient of numerous choreographic awards, including a “Goldie” award from the San Francisco Bay Guardian, which described Seiwert as the Bay Area’s most original dance thinker, “taking what some consider a dead language and using it with a 21st-century lingo to tell us something about who we are.” Seiwert’s ballets are in the repertories of companies from coast to coast and her works have been supported by the Joyce Theater, the Kennedy Center, and the National Endowment of the Arts. Seiwert currently serves as Artistic Director of Imagery, a contemporary ballet company in San Francisco.
Music | Julia Kent and David Wenngren, from the album Escapism
The combination of David Wenngren (piano and celeste) and Julia Kent (cello) makes the music add up to more than the sum of its parts. The impact is not felt at first, but repeated plays bring out the undertones.
Costume Design | Janessa Cornell Urwin
Janessa’s costume designs have been a creative part of over 45 classical ballets and contemporary dance pieces for American Repertory Ballet, Traverse City Dance Project, Kun-Yang Lin/Dancers, Nacre Dance Company, The Nutmeg Ballet, MODArts Dance Collective, Axelrod Contemporary Ballet Theater and the Dance Department at Rutgers University and Stockton University. She has collaborated with esteemed choreographers Ethan Stiefel, Amy Seiwert, Arthur Mitchell, Stephanie Martinez, Ja’ Malik, Claire Davidson, Da’Von Doane, Meredith Rainey, Caili Quan, Ryoko Tanaka, and Kirk Peterson, bringing their vision to the stage. Over her decade-long tenure with American Repertory Ballet, Janessa has designed several critically acclaimed full-length works including Stiefel’s A Midsummer Night’s Dream and Peterson’s Beauty and the Beast. Other design credits include: Athena Theatre, H (film short), The Lost Princess of Oz, and The Polar Express. Janessa began her career as a ballet dancer, studied Costume Design at the Fashion Institute of Technology in NYC, and has guest lectured at NYU/ABT and Mason Gross School of the Arts.
Lighting Design | Jason Flamos
Jason Flamos (Lighting Designer) Credits include: (Mile Square Theatre) Pipeline, I and You, It’s a Wonderful Life, The 39 Steps, Betrayal; (Shakespeare Theater NJ) William Shakespeare’s Long Lost First Play; (10 Hairy Legs) Heist, Cruise Control, Brian, Quadrivium; (Thingamajig Theatre Company) The Pillowman, Cabaret, The Little Mermaid, A Few Good Men. Flamos was the Associate Lighting Design for the Off-Broadway productions of Clever Little Lies and The Other Josh Cohen at Westside Theater, F***ing A at Signature Theater, The Producers and Benny and Joon at Paper Mill Playhouse, and Rags at Goodspeed Opera. He was the lighting supervisor for 10 Hairy Legs and is the current lighting supervisor at American Repertory Ballet.
photos by Eduardo Patino.NYC
Video editing by Michelle Quiner
Runtime
10 minutes, 15 seconds
Number of performers
4 dancers
Tech Rider
Available upon request
Link to full performance video
Available upon request